between the lines...

The research phase brought forward a variety of observations in the group, some more astute than others:

• The school's philosophy included a bringing together of art and technical expertise, more of which was art (in a traditional sense) than previously expected.
• The Bauhaus' values of mass manufacturing, practicality, and function are equally capitalist ideals.

Reading 'between the lines' of the Bauhaus school, the subsequent design movement, and the effects to date led to the following questions:

• Is the undeniable influence of the Bauhaus a net good for society if it removes all cultural identity and personal expression? How far does this go?
• What happens to the output when capitalism rules and all of the 'art' is abandoned?

tension...

In the context of post-WW1 Germany, the Bauhaus intended to use the aforementioned principles of mass manufacturing, practicality, and function to make a certain quality of life more accessible for more people.

The way those ideals are expressed today often neglects the 'artful' aspects introduced by the Bauhaus, but perhaps creates something even more accessible.

However, when accessibility becomes the top priority, what is left? A perfect, most applicable form? The same piece of furniture or facade of a building found in Czechia, as in Thailand, as in Puerto Rico?

The work of author and activist, Jane Jacobs, was referenced in her role as a proponent of cultural identity in urban spaces to create a sense of personal belonging. Her research, and many studies since, suggests that said distinction between spaces can greatly affect human quality of life.

installation...

The concept was thought best put forward as an analogue and interactive experience focusing on furniture as a means to embody design language in a broader sense. 'Bauhaus' furniture, light fixtures, and accessories were selected along with a curated collection of designer pieces thought to represent a variety of popular styles.

Individual pieces were cut from cardstock, laminated together for increased thickness and rigidity, and magnetic strips were adhered to the back. An empty room background was assembled, allowing users to enjoy curating a personalized space with intention, while reflecting on the role of the Bauhaus in the process.