Incom ist die Kommunikations-Plattform der Hochschule Anhalt Fachbereich Design

In seiner Funktionalität auf die Lehre in gestalterischen Studiengängen zugeschnitten... Schnittstelle für die moderne Lehre

Incom ist die Kommunikations-Plattform der Hochschule Anhalt Fachbereich Design mehr erfahren

Anxiety

Anxiety is a short film about a woman that spirals into a panic attack during a lively party. Its a audio visual journey into the quiet chaos of anxiety.

Why We Made This Film

Our primary goal was to make the 'invisible' visible. We set out to depict the often unseen, invisible weight of anxiety as it manifests in a common, everyday setting: a social gathering. This film is an exercise in utilizing visceral, visual language from camera movement to sound design to translate a complex internal mental state onto the screen. Inspired by personal experiences and honest conversations about mental health, we aimed to create a film that is not just about anxiety, but one that allows the audience to feel and experience the suffocating reality of a panic attack firsthand.

Artboard 7.jpgArtboard 7.jpg

Artboard 6.jpgArtboard 6.jpg

Production Challenges

Controlling Natural Light and Setup

Achieving the intended visual tone was heavily dependent on a strictly controlled environment. Our primary challenge was neutralizing the location's natural light. We employed blackout curtains across all windows to create a completely dark, isolated space, which was essential for crafting the high-contrast, color-saturated lighting setup required to visually represent the protagonist's spiraling anxiety.

Shooting the Vertigo Effect (Dolly Zoom)

Executing the dolly zoom (or vertigo effect) was one of the most technically demanding elements. Since the camera was handheld, achieving a smooth, usable shot required extreme precision. We filmed between 10 to 15 takes, and despite the effort, the final selected take was slightly out of focus. This necessitated an extensive post-production correction, where we utilized masking techniques to sharpen and draw focus back to the protagonist's face, preserving the dramatic impact of the shot.

Time Constraints & Actor Scheduling

Our tight production schedule was immediately complicated due to a miscommunication with the actors which forced us to completely reorder our shooting plan. We had to prioritize the party crowd shots first, then moved to the interaction scenes involving the protagonist, and finally captured her solo emotional scenes at the very end. This on-the-fly adjustment tested our time management skills and required focused communication from the entire crew

Post Production

Artboard 10.jpgArtboard 10.jpg
Artboard 11.jpgArtboard 11.jpg
Artboard 12.jpgArtboard 12.jpg
Artboard 13.jpgArtboard 13.jpg

Sound Design: The Audible Sensation of Anxiety

Sound was a major storytelling component and a critical tool for conveying the protagonist's internal state. Our goal was to actively translate the feeling of a panic attack into an audible experience.

Transitions

We used a pitchy tone riser to create an auditory „jolt,“ signaling the viewer's transition in and out of the panic attack.

Muffled Chaos

During the peak of the anxiety, a low-pass filter was applied to the soundscape. This muffled all external party noises, simulating the feeling of a panic attack and emphasizing the character's sense of internal isolation.

Foley and Synchronization

We utilized a combination of production audio and foley effects added in post-production. Crucially, the repetitive sound of foot tapping was meticulously synced frame-by-frame to match the visual action. The amplified heartbeat sounds were precisely aligned with the movement of the watch hands, effectively linking the character's physical and temporal breakdown.

Artboard 14.jpgArtboard 14.jpg

Color Correction and Editing

Sharpening the Vertigo Effect

Due to the difficulty of capturing the handheld dolly zoom (vertigo effect), the only usable take was slightly out of focus. To correct this, we applied a sharpening mask specifically over the protagonist's face. This technique compensated for the loss of focus and ensured the shot which is critical to the narrative; retained its emotional impact.

Color Grading and Aesthetic

Minimalist Grading Approach: Our color grading was minimal but highly effective. Since the footage was not shot in a flat RAW format, the in-camera footage was already rich and saturated, particularly the neon blue and red lighting used to create the mood. This meant we avoided heavy color edits, focusing instead on subtle adjustments to maintain the dramatic, pre-established aesthetic and ensure consistency throughout the film.

Acknowledgments

This film would not have been possible without the collective effort and incredible work of our cast and crew. A huge thank you for your time, talent, and commitment to navigating the challenges of this production. Your belief in the project's vision made all the difference.

We also want to express our sincere gratitude to our project supervisor, Rochus Hartmann, for the guidance, expertise, and support provided throughout the entire Elective Moving Image process.

Finally, a special thank you to Mr. Henry Mertens for his invaluable assistance in providing us with all the necessary equipment for our shoot, on very short notice.

✨ A Film By:

Mansoor Makba

Roshni Das

Aashna Chhatwal

🎭 Starring:

İpek İlayda Bellisan

Hamzeh Za'Balawi

Adriane Spence

👥 Cast:

Cameron Barber

Joel Kaleb Dias

Areeshah Qureshi

Nikita Vinokurov

Nursan Akinci

Idil Akünal

Project Supervisor:

Rochus Hartmann

Fachgruppe

Intermediales Design

Art des Projekts

Studienarbeit im Masterstudium

Betreuer_in

foto: Prof Rochus Hartmann foto: Prof Rochus Hartmann

Zugehöriger Workspace

Elective Moving Image, In the mood for light

Entstehungszeitraum

Sommersemester 2025

Keywords