Concept

At the beginning of the process, I spent time researching different possible themes, cultural references, and meanings related to the number three. Through this research, I eventually came across the Japanese cherry blossom, Sakura, which felt like a fitting and meaningful focus for my project.

In Japanese culture, Sakura symbolizes impermanence and the fleeting nature of life. Its short blooming period shows that beauty exists only for a moment and becomes more valuable precisely because of its transience. The motif therefore embodies change, fragility, and the natural cycle of coming into being and passing away.

Based on this concept, I then started working on the form of the vase and began experimenting with small hand-built models in clay to explore proportions, silhouette, and spatial presence. From these studies, I developed the form further as a digital 3D model, which I then 3D printed as the basis for the porcelain piece.

I translated this idea into a three-part narrative: bud, full bloom, and decay. A cherry blossom branch winds around the surface of the vase, guiding the viewer visually through these three stages. In this way, I made the number three visible as a natural cycle rather than a fixed form.

Working with the already 3D-printed form, I intentionally preserved the characteristic layered texture of the print. These repetitive, symmetrical lines create a subtle rhythm that contrasts with the organic, hand-engraved Sakura motif. After casting and firing the piece, I carved the floral pattern into the surface.

For the final finish, I decided to glaze the engraved Sakura motif in a glossy, metallic green, allowing it to stand out clearly against the body of the vase. The rest of the vase is coated with a transparent glaze, which retains the visibility of the printed texture while giving the surface a subtle, unified sheen.

Final

Conclusion

Through this course, I learned a great deal about working with porcelain, particularly how to handle the material, what to consider during the making process, and how to respond to its specific challenges. I gained a deeper understanding of both its possibilities and its limitations, which influenced my design and decision-making throughout the project.

Overall, I really enjoyed developing and realizing my concept, from the initial research to the final execution of the piece. Although I was not yet able to fully finish my vase in time, I will definitely complete it.

Also i would like to thank Maria for the interesting course :)